ORION TIDE
2013-2014 | Dual/Single channel HD video installation,
32′ x 9’/16′ x 9′ (variable) with audio
COLLECTIONS
Giverny Capital (Canada)
SELECTED PRESS
Arts Beacon, Grant Vetter (review)
Isotropix, (interview)
ARTINFO Canada, Sky Goodden (interview)
Toronto Star, Murray White (review)
Art Toronto, Shellie Zhang (review)
Journal of Wild Culture, Tom Jeffreys (review)
The Journal, David Whetstone (review)
In keeping with Richardson’s practice, Orion Tide questions the fine line between truth and fiction by challenging our ability to assess the integrity of images. Hinging on the fringes of reality and fantasy, the schematics of Orion Tide seem entirely plausible for today’s world. The work’s lack of specificity and ability to conjure the familiar poses an array of questions. Simultaneously convincing yet synthetic, the balanced ambiguity of the scene could be a peaceful ascent towards the heavens, a forced migration, or an exploratory venture towards the unknown. Ultimately, Richardson does not grant us any definitive answers, forcing her audiences to consider the “evocative power of the imagination” and the blurring line between what is possible and impossible. Through a carefully calculated application of digital effects and documentary footage, Richardson questions the credibility of what we see and our increasingly mediated doors of perception.” Shellie Zhang, Art Toronto review
Supported by Canada Council for the Arts, Arts Council England, Artpace San Antonio and NewTek