LIVES / WORKS
Vancouver Island, Canada

EDUCATION
Newcastle University – MFA with distinction
Nova Scotia College of Art and Design – MFA, Media Arts program
Ontario College of Art and Design – AOCAD with honours
Sheridan College – Art Fundamentals Intensive Program – Diploma

SOLO EXHIBITIONS (* indicates publication)
2024  Lo Pati Centre d’Art, Anthropocenes, Amposta, Spain
2024  Thames Art Gallery, Kelly Richardson: Odyssey, Ontario, Canada
2023  The Amelia, Leviathan, Royal Tunbridge Wells, UK
2022  Kamloops Art Gallery, Halcyon Fog, BC, Canada
2020  Attenborough Arts Centre, University of Leicester, Mariner 9, Leicester, UK
2019  Northern Gallery for Contemporary Art, Pillars of Dawn, Sunderland, UK *
2019  Gallery Stratford, The Great Destroyer, Stratford, Ontario, Canada
2018  Southampton City Art Gallery, Pillars of Dawn, Southampton, UK *
2018  Seaton Delaval Hall, Pillars of Dawn, Seaton Sluice, UK *
2017  Dundee Contemporary Arts, Kelly Richardson: The Weather MakersDundee, Scotland
2017  Musée d’art de Joliette, Kelly Richardson: Orion Tide, Joliette, Canada
2017  Mois Multi – Festival international d’arts multidisciplinaires et électroniquesMois Multi 2017, VU Photo, Quebec, Canada
2015  SMoCA, Kelly Richardson: Tales on the Horizon, curated by Emily Stamey, Arizona, USA
2015  MSAC, Kelly Richardson: Terrene, curated by Scott McGovern, Guelph, Canada *
2014  Contemporary Art Gallery Vancouver, Kelly Richardson: Legion, curated by Nigel Prince, Vancouver, Canada *
2014  Laing Art Gallery, Mariner 9, Newcastle, England
2014  VOID, Haunted, curated by Gregory Mccartney, Derry, Ireland *
2014  Screen Space, Kelly Richardson, Melbourne, Australia
2014  MCAC, Haunted, curated by Gregory Mccartney, Portadown, Ireland *
2013  Natural History Museum Vienna, Mariner 9, Vienna, Austria
2013  Albright-Knox Art Gallery, Kelly Richardson: Legion, curated by Holly Hughes, Buffalo, USA *
2013  Towner, Kelly Richardson: Legion, Eastbourne, UK *
2013  Edel Assanti, Kelly Richardson: The Erudition, London, UK
2013  Birch Libralato, Kelly Richardson: Orion Tide, Toronto, Canada
2013  UWAGThis Island Earth, curated by Ivan Jurakic, Waterloo, Canada
2012  Northern Gallery for Contemporary Art, Kelly Richardson: Legion, curated by Alistair Robinson, Sunderland, UK *
2012  Toronto International Film Festival, Future Projections: Mariner 9, Royal Ontario Museum, Toronto, Canada
2012  Spanish City Dome, Mariner 9, presented by Tyneside Cinema, Whitley Bay, UK *
2012  Grundy Art Gallery, Kelly Richardson: Legion, Blackpool, UK *
2012  NGC, Kelly Richardson: Orion Tide, Sunderland, UK
2011  Artpace, Leviathan, curated by Heather Pesanti, San Antonio, Texas, USA *
2011  SAAG, The Erudition, curated by Ryan Doherty, Lethbridge, Alberta *
2011  Yukon Art Centre, Kelly Richardson: Twilight Avenger, curated by Earl Miller, Whitehorse, Yukon, Canada
2010  Birch LibralatoThe Erudition, Toronto, Canada
2010  Diverseworks / Aurora Picture Show, Fotofest 2010 Biennial: Twilight Avenger, Houston, Texas, USA
2009  Musée d’art contemporain de MontréalKelly Richardson, Montréal, Quebec, Canada
2009  ScreeningKelly Richardson: Twilight Avenger, Philadelphia, USA
2009  Film Fleadh / Gallery 126Kelly Richardson: Twilight Avenger, Galway, Ireland
2008  Pace Digital GalleryMark Napier and Kelly Richardson, curated by Jillian Macdonald, New York, NY, USA
2008  Birch LibralatoTwilight Avenger, Toronto, Canada
2008  HALLWALLS, The Edge of Everything, curated by John Massier, Buffalo, USA *
2008  KW|AG, Forest Park, curated by Crystal Mowry, Kitchener, Canada *
2007  ArticuleLe Mois de la Photo à Montréal 2007:Replaying Narrative, curated by Marie Fraser, Montreal, Canada *
2006  Birch LibralatoExiles of the Shattered Star, Toronto, Canada
2004  Art Gallery of Nova ScotiaPhotopolis Photo Biennial: Future Perfect, curated by Bob Bean, Halifax, Canada *
2004  CornerhouseBigger Picture: howthedevil, Manchester, UK
2002  Robert Birch Gallery, Toronto, Canada [2 person]2002  Hamilton Artist’s Inc., Intersections, Hamilton, Canada [2 person]2001  Floating GalleryPicture This, Winnipeg, Canada
2000  Mercer Union Center for Contemporary ArtKelly Richardson, Toronto, Canada *
2000  Platform Gallery, Jello, Melbourne, Australia
2000  Red Head Gallery ShowcaseBirdhouse, curated by Jenifer Papararo, Toronto, Canada
1999  .in/attendant. GalleryMimic, Toronto, Canada

SELECTED GROUP EXHIBITIONS (* indicates publication)
2024  Buffalo History Museum, 10 X 5: 50 Years of Hallwalls Contemporary Arts Center, 1975–2025, Buffalo, New York, USA
2024  National Glass Centre, NGCA collection display, Sunderland, UK
2023  EXPANDED.ART, A Beating Heart: Female Pioneers of Digital Art, Berlin, curated by Anika Meier, Germany
2023  Waldburger Wouters Gallery, REVENANTS, with Nicolas Sassoon and Rick Silva, curated by Rectangle, Brussels, Belgium
2023  Fondation Giverny, from the collection, Montréal, Canada
2023  Musée d’art contemporain de Montréal, Leonard Cohen: A Crack in Everything, curated by John Zeppetelli and Victor Shiffman, Montréal, Canada
2022  Daejeon Museum of Art, Daejeon Art and Science Biennale 2022: Future of Cities, Daejeon, South Korea
2022  Legacy Art Gallery, Still Standing: Ancient Forest Futures, curated by Jessie Demers, Victoria, BC
2022  collection De.Groen, Bits and Pieces, curated by Alexandra Crouwers, Netherlands
2022  Sonar+D, Barcelona, Spain
2022  Museum Angewandte Kunst, Unblock Gaudi, curated by Unblock Gallery, Frankfurt, Germany
2021  Art Basel, Humans + Machines: NFTs and the Ever-Evolving World of Art, Miami, USA
2021  GIANT, NatureMax, curated by Paul Carey-Kent, Bournemouth, UK
2020  Marta Herford, Deceptive Images – Playing with Painting and Photography, Herford, Germany *
2020  Meta.Morf X, Digital Wild, Trondheim, Norway *
2020  Hestercombe Gallery, Most Admirably Improved by Art, Somerset, England
2020  Artlab Gallery, Together we Average As Zero, Western University, London, Canada
2020  Cold Cuts Festival, ODD Gallery, Dawson City, Yukon, Canada
2020  Birch Contemporary, Gallery Artists, Toronto, Canada
2019  Somerset House, 24/7, London, England *
2019  Art Gallery of Guelph, The Drive, Guelph, Canada
2019  Images Festival, XL Outer Worlds, Cinesphere, Toronto, Canada *
2018  Woodhorn Museum, Coal Forest, curated by Elizabeth Ritson, Ashington, UK
2018  Galway Arts Centre, A Brand New Darkness for a Bright New Way, curated by Gregory McCartney, Galway, Ireland
2018  Art Gallery of Greater Victoria, Supernatural: Art, Technology and the Forest, curated by Haema Sivanesan, Victoria, Canada
2018  Maryland Hall, Glistening: Nature Mirrored in Video Art, curated by Kelly Gordon, Maryland, USA
2018  Birch Contemporary, An Alternate Landscape, Toronto, Canada
2017  Art Gallery of Alberta, Turbulent Landings: The NGC 2017 Canadian Biennial,  Alberta, Canada
2017  Hubei Museum of Art, Stress Field,  Hubei, China *
2017  NEoN (North East of North), Media Archeology, curated by Sarah Cook, Dundee, Scotland
2017  Towner Art GalleryNow, Today, Tomorrow and Always, Eastbourne, UK
2017  Bonavista Biennale, Art encounters on the edge,  Newfoundland, Canada *
2017  The Power Plant, Stereo Vision, Toronto, Canada
2017  Albright-Knox Art GalleryMenagerie: Animals on View, Buffalo, New York, USA
2017  Scottsdale Museum of Contemporary Art, The Kindness of Strangers: Recent Acquisitions and Conservation Projects, USA
2017  Musée Atger, A Scientific Encounter, Montpellier University, Montpellier, France
2017  First Canadian Place, Mind the Gap, Offsite exhibition with Birch Contemporary, Toronto, Canada
2017  Birch Contemporary, 27.5, Toronto, Canada
2016  Success Gallery, INANITION, Fremantle, Australia
2016  Musée régional de Rimouski, Lumens, Quebec, Canada
2015  Actual Contemporary, Age of Catastrophe, Winnipeg, Canada
2014  National Gallery of Canada, Canadian Biennial 2014: Shine a Light, Ottawa, Canada *
2014  Musée d’art Contemporain, Biennale de Montréal: L’avenir (looking forward), Montréal, Canada *
2013  Museum London, Storytelling, curated by Cassandra Getty, London, Canada
2013  Berwick International Film and Media Festival, The Last Frontier, Berwick, UK *
2013  Museum London, Imaging Disaster, curated by Cassandra Getty and Adam Lauder, London, Canada
2013  Artspace Flipside, Missing Link, curated by Alexandra Crouwers, Eindhoven, Netherlands
2013  Nuit Blanche, Romancing the Anthropocene, curated by Crystal Mowry and Ivan Jurakic,Toronto, Canada
2012  TULCA 2012What became of the people we used to be?, curated by Greg McCartney, Galway, Ireland *
2012  Le Fresnoy, Visions Fugitives, curated by Pascale Pronnier and Marie-Therese Champesme, Tourcoing, France
2012  Kulturhuset Stockholm, Supertemporal, curated by Paul Young and Estelle af Malmborg, Stockholm, Sweden
2012  Palais de Tokyo | FIAC, Arte Video Night, curated by Dominique Goutard and Jean-Luc Monterosso , Paris, France
2012  Edel Assanti, Immortal Nature, curated by Gordon Cheung, London, UK
2012  The Rooms, New Romantics, curated by Bruce Johnson, Newfoundland, Canada
2011  Albright-Knox Art GalleryVideosphere: A New Generation, curated by Holly Hughes, Buffalo, New York, USA *
2011  CaixaForumThe Cinema Effect: Illusion, Reality and the Moving Image – Dreams, organised by the Hirshhorn Museum and Sculpture Garden, curated by Kerry Brougher and Kelly Gordon, Barcelona, Spain *
2011  Young ProjectsThe Savage Transparence, curated by Paul Young, Los Angeles, California, USA
2011  Nuit BlancheThe Erudition, curated by Farah Yusuf for OCAD, Toronto, Canada
2010  White BoxTHE WASTE LAND, curated by Raul Zamudio, New York, New York , USA
2010  SAW GalleryArt Star 4 Video Art Biennial, Ottawa, Canada
2010  Art Gallery of Nova ScotiaThe Last Frontier, curated by Sarah Fillmore, Halifax, NS, Canada
2010  Art Gallery of OntarioSculpture on Time: Major works. New Acquisitions, Toronto, Canada
2010  Islip Art Museum, Site Specifics ’10, curated by Karen Shaw, Long Island, New York, USA
2010  Birch LibralatoEssential Works Show V 1989-2009, Toronto, Canada
2009  Sundance Film FestivalNew Frontier on Main, curated by Shari Frilot, Utah, USA
2009  Beijing 798 BiennaleConstellations, curated by Raul Zamudio, Beijing, China
2009  Art Gallery of Nova ScotiaForces of Nature, Halifax, Nova Scotia, Canada
2009  Confederation Centre of the ArtsOther Worlds, curated by Ihor Holubizsky, P.E.I, Canada
2009  Cambridge GalleriesSobey Art Award: Ontario Shortlist, curated by Ivan Jurakic, Canada
2009  Ed VideoYear of Darwin, curated by Scott McGovern, Guelph, Canada
2009  Blackwood Gallery, Nuit Blanche: Drop Out, curated by Christof Migone, Toronto, Canada
2008  Busan BiennaleExpenditure, South Korea *
2008  Kulturzentrum K4Out of Darkness, curated by Paul Rooney, Nurnberg, Germany
2008  Hirshhorn Museum and Sculpture Garden, The Cinema Effect: Illusion, Reality and the Moving Image – Part 1: Dreams,
curated by Kerry Brougher and Kelly Gordon, Washington, USA *
2007  Berwick Film and Media FestivalFilm on Film, curated by Iain Pate and Rebecca Shatwell, Berwick, UK *
2006  Tank TVVideo Calendar, curated by Laure Prouvost, tank.tv
2006  Castlefield GalleryBeta Test: Purescreens 16, curated by Sophia Crilly, Manchester, UK
2006  The NunneryVisions at the Nunnery, London, UK
2005  Northern Gallery for Contemporary ArtThinking the Unthinkable – or – Against Nature, curated by Alistair Robinson, UK *
2005  Berwick Film Festival and Media FestivalCrossing Borders, curated by Marcus Coates, Berwick, UK *
2005  MSVU Art GalleryFree Sample, curated by Kelly Mark, Halifax, Nova Scotia *
2004  Gwangju BiennaleA grain of dust, a drop of water, curated by Yongwoo Lee, Kerry Brougher and
Milena Kalinovska (for the Americas), Gwangju, South Korea *
2004  An Tuireann Arts CentreDRIFT, curated by Iliyana Nedkova, initiated by New Media Scotland, Isle of Skye, Scotland
2004  The Museum of Voivodina , DRIFT, curated by Iliyana Nedkova, initiated by New Media Scotland, Isle of Skye, Scotland
2004  SESC Vila MarianaImagens que voce jamais verá na TV, Sao Paulo, Brazil
2004  Stills Gallery / Edinburgh Film FestivalDRIFT, curated by Iliyana Nedkova, Edinburgh, Scotland
2004  Chaingmai University Art MuseumSwitch Media Festival “Supernatural”, Bangkok, Thailand
2004  Robert Birch GalleryWorts: Another Dimension, Toronto, Canada
2003  Anna Leonowens Gallery, Halifax, Canada
2003  Art Gallery of OntarioProvisional Worlds, curated by Jessica Bradley, Toronto, Canada *
2003  Islip Art MuseumAccumulations, Long Island, curated by Karen Shaw, New York, USA
2003  Pompidou CentrePolyphonix 40, Paris, France
2001  Art Gallery of OntarioVideo Primer,curated by Michelle Jacques, Toronto, Canada
2001  Huashan Art DistrictOrange Marble, curated by Manray Hsu, Taipei, Taiwan
2000  Smack MellonWhite Hot, curated by Regine Basha and Moukhtar Kocach, Brooklyn, New York
2000  Galerie SKOLCompanie,curated by Sally McKay & Daniel Olson, Montreal, Quebec
1999  HALLWALLSPhenotypology,curated by Maureen McQuillan, Buffalo, New York
1999  Robert Birch Galleryhere,curated by Michelle Jacques, Toronto, Canada
1999  Cold City GalleryVideo Survey, curated by Pamela Meredith, Toronto, Canada
1999  Koffler Center for the Arts, Loggia Gallery, Edge of Everything, curated by John Massier, North York, Canada

PUBLIC AND CORPORATE COLLECTIONS
Albright-Knox Art Gallery (USA)
Art Gallery of Nova Scotia (Canada)
Art Gallery of Ontario (Canada)
Arts Council Collection (UK)
BMO Canada
Collection of Global Affairs Canada
Connor, Clark and Lunn (Canada)
Giverny Capital (Canada)
Hirshhorn Museum and Sculpture Garden (USA)
Musée d’art contemporain de Montréal (Canada)
National Gallery of Canada
RBC Art Collection (Canada)
RIH Foundation (Canada)
SMoCA (USA)
Southampton City Art Gallery (UK)
Tezos Permanent Art Collection
The Collection: NGCA / University of Sunderland (UK)
The Collection: Tyneside Cinema (UK)
Towner (UK)

HONOURS, AWARDS, RESIDENCIES
2022  BC Arts Council Project Award
2022  Canada Council for the Arts Project Award
2022  Arts Help Award
2018  XL Outer Worlds IMAX commission, Canada
2018  Canada Council for the Arts Travel Grant
2017  Arts Council England Project Award
2017  Canada Council for the Arts Project Award
2017  Film London Jarman Award, nominated
2016  NICAP (Newcastle Institute for Creative Arts Practice) Award
2016  Film London Jarman Award, nominated
2015  Film London Jarman Award, nominated
2015  Canada Council for the Arts Project Award
2014  Arts Council England Project Award
2014  Film London Jarman Award, nominated
2013  Canada Council for the Arts, Long-term Grant
2012  Tyneside Cinema Artist Commission, Newcastle, UK
2012  Northern Gallery for Contemporary Art Commission
2012  Journal Culture Award ‘Best Event Sunderland’ Winner, England
2012  Journal Culture Award ‘Visual Artist of the Year’ Finalist, England
2012  Arts Council England Project Award
2012  VARC Visual Art Award
2012  Canada Council for the Arts Long-term grant
2011  Journal Culture Award ‘Visual Artist of the Year’ Finalist, England
2011  Northern Art Prize Long List, England
2011  Artpace International Artist in Residence selected by curator Heather Pesanti (Albright-Knox), San Antonio, Texas
2011  Tyneside Cinema Artist in Residence, Newcastle, UK
2009  Americans for the Arts National Art Awards Featured Artist, USA
2009  Sobey Art Award Long List, Canada
2009  Southern Alberta Art Gallery Gushul Artist in Residence program, Alberta
2009  Arts Council England Project Award
2009  Canada Council for the Arts Travel Grant
2008  Sobey Art Award Long List, Canada
2008  ISIS Arts Artist in Residence program, Newcastle, UK
2007  Canada Council for the Arts Travel Grant
2006 – 2007  /sLab, International Artist in Residence program, Sunderland, UK
2005  Canada Council for the Arts Production Grant
2005  Canada Council for the Arts Travel Grant
2004  Arts Council England Project Award
2002  Nova Scotia College of Art and Design MFA entry scholarship
2002  Canada Council for the Arts Travel Grant
2001  Ontario Arts Council Project Grant
2000  Canada Council for the Arts Travel Grant
2000  Ontario Arts Council Project Grants
2000  Ontario Arts Council Exhibition Assistance Grant
1999  Ontario Arts Council Exhibition Assistance Grant

MONOGRAPHS, BOOKS AND EXHIBITION CATALOGUES
2024  Portable Gray, edited by Zachary Cahill, published by Gray Centre for Arts & Inquiry, University of Chicago, USA
2023  Collection Handbook, authors include Cathleen Chaffee, Pam Hatley, Holly E. Hughes, Janne Sirén, published by the Buffalo AKG Museum, Buffalo, New York
2022  Daejeon Biennale of Art, published by Daejeon Museum of Art
2021  Post-Specimen Encounters Between Art, Science and Curating, edited by Edward Juler and Alistair Robinson, 250 pg, published by Intellect Books, ISBN 9781789383119
2020  Artpace at 25: 25th Anniversary Publication, text by Heather Pessanti, 272 pg, published by Artpace
2020  Meta.Morf X – Digital Wild, texts by Espen Gangvik and Zane Carpina, published by TEKS.press, ISBN 978-82-93778-03-5
2020  24/7, texts by Douglas Coupland, Jonathan Crary, Malcom McCullough, Dominic Smith, forward by Sarah Cook and Jonathan Reekie, published by Somerset House, London
2019  Kelly Richardson: Pillars of Dawn, [monograph], texts by Dr Sarah Cook, Madeleine Kennedy, Alistair Robinson, Dr Emily Stamey, Dr Carmen Victor, published by Kerber, Germany
2019  Oxford Handbook to Canadian Cinema, text by Johanne Sloan, edited by Janine Marchessault and Will Straw, published by Oxford University Press, 2018
2018  The Routledge Companion to Landscape Studies, edited by Peter Howard, Ian Thompson, Emma Waterton, Mick Atha; Chapter 17, ‘Land Art’ by Venda Louise Pollock; 2nd Edition, August 15; Routledge; 650 pages, hardcover
2017  Stress Field: 4th Documentary Exhibition of Fine Arts, text by Hutch Wilco, published by Hubei Museum of Art and Fine Arts Literature Art Centre
2015  Visual Impact: Creative Dissent in the 21st Century, text by Liz McQuiston, published by Phaidon, London
2014  Shine a Light: Canadian Biennial 2014, texts by Josee Drouin-Brisebois, Greg Hill, Andrea Kunard, Jonathan Shaughnessy and Rhiannon Vogl
2013  Kelly Richardson: The Last Frontier, [monograph], texts by Louis Grachos, Holly Hughes, Alistair Robinson, Kelly Gordon, co-published by Art Editions North and SAAG
2009  Beijing 798 Biennale, text by Raul Zamudio
2008  Busan Biennale 2008, text by Seung-Bo Jun
2008  The Cinema Effect: Illusion, Reality and the Moving Image, texts by Kerry Brougher, Kelly Gordon, and Tony Oursler, co-published by Hirshhorn Museum and Sculpture Garden and D Giles Limited
2008  Kelly Richardson: Forest Park, [monograph] texts by Crystal Mowry and John Massier, published by KW|AG
2007  Replaying Narrative, Le Mois de la Photo a Montreal, texts by Marie Fraser, Marie, published by Le Mois de la Photo a Montreal
2004  Gwangju Biennale, texts by Milena Kalinovska, published by Gwangju Biennale
2004  Photopolis Photo Biennial: Future Perfect, text by Robert Bean, published by Art Gallery of Nova Scotia
2002  Provisional Worlds, text by Jessica Bradley, published by the Art Gallery of Ontario

PODCASTS, VIDEO AND AUDIO DOCUMENTARIES
2020   Attenborough Art Centre Podcast, Art Week Special with Kelly Richardson 
2019   CBC Arts – The Exhibitionists, TV series, by filmmaker Lisa Wu, a short documentary on IMAX project Embers and the Giants
2018   Overly Dedicated Podcast, directed by Claire Scherzinger, feature interview
2017   DCA, interview filmed during the installation of The Weather Makers
2013   Modern Art Notes Podcast, ‘Shirin Neshat and Kelly Richardson’, Tyler Green, April 4, feature interview
2012   Tyneside Cinema: Northern Stars, interview filmed during the world premiere of Mariner 9 at the Spanish City Dome
2012   Grundy Art Gallery, interview filmed during the installation of 15 year survey exhibition Legion
2012   Modern Empire, interview about Orion Tide filmed during the installation of 15 year survey exhibition Legion
2011   CVAN Artist Filmsinterview with Baltic Centre for Contemporary Art’s Alessandro  Vincentelli
2011   Tyneside Cinema: Northern Stars, interview during initial research and production for Mariner 9

MEDIA FEATURES
2023  CBC As It Happens, article and interview about Metallica using the artist’s work in the title track off their new album: 72 Seasons
2023  CTV News, article and interview about Metallica using the artist’s work in the title track off their new album: 72 Seasons
2022  CBC Radio: On The Island, Art in a time of climate change – a conversation with Sterling Eyford about creating art about the environment and social inequity during an environmental crisis
2022  CFJC Midday, Exploring our relationship with nature Kamloops Art Gallery presents ‘Halcyon Fog’
2022  CBC Radio, CBC tours ‘Halcyon Fog’ at Kamloops Art Gallery with Curator Charo Neville
2020   BBC Radio Leicester, The A Word
2018   CBC Radio One, Victoria, interview with Sterling Eyford
2018   Chek News, Vancouver Island, evening news coverage of Embers and the Giants and old-growth conservation
2017   BBC Radio Scotland, The Janice Forsyth Show, interview about solo exhibition The Weather Makers at DCA
2014   BBC Northern Ireland, interview about solo exhibition Kelly Richardson: Haunted at VOID Derry
2014   UTV News, solo exhibition Kelly Richardson: Haunted at VOID Derry featured on the evening news
2012   BBC News, UK premiere of Mariner 9 featured on the evening news
2012   Sky News, UK premiere of Mariner 9 featured on the evening news
2012   ITV News, UK premiere of Mariner 9 featured on the evening news
2012   BBC Radio Newcastle, England, interview with Steve Drayton about Mariner 9
2012   BBC Radio Newcastle, England, interview with Simon Logan about Mariner 9

SELECTED FEATURES / REVIEWS / INTERVIEWS
Niio Art,The Role of Art in a Climate Emergency‘, by Pau Waelder, Oct, 2022
Watershed Sentinel
, ‘Halcyon Fog‘, by Odette Auger, summer issue, 2022 
Niio Art, ‘
Kelly Richardson: Creating Potential Futures‘, interview with curator Pau Waelder, April, 2022
Galleries West,
Kelly Richardson: using beauty and technology to tell dystopic tales about environmental collapse, March 21, 2022
FAD Magazine, 
NATUREMAX: A NEW WAY OF SEEING NATURE?, by Mark Westall, Nov 16, 2021
CBC Arts, ‘The 2010s: The decade Canadians stopped staying sorry‘, an unapologetic celebration of a decade of outsized achievement featuring ‘Mariner 9’, Dec, 2020
York Mediale Blog, ‘Embers and the Giants‘, feature essay by George Vasey, Dec, 2020
Marta Herford Blog, ‘5 Questions with Kelly Richardson‘, interview on Pillars of Dawn, Nov, 2020
Aethetica Magazine, ‘Human Nature‘, interview with Tom Higham, Dec 11, 2020
The Beacon Herald, ‘New Gallery Stratford exhibits focus on forests‘, by Terry Bridge, Oct 16, 2019
Canadian Art, ‘Outer Worlds‘, by Jesse Cumming, May 23, 2019
Film Panic Magazine, ‘Interview: Kelly Richardson’ with Roger Simian & Sarah Jane Swan, 2019
The Irish Times, ‘Anxious, strained, uneasy: art for a world falling into old ways‘, by Aidan Dunne, Sept 4, 2018
Photomonitor, ‘Silvery Perfection‘, by Helen James, June 19, 2018
Medium, ‘Pillars of Dawn: the significance of setting“, by Sarah Ann Davies, June 20, 2018
Canadian Art, ‘Into the Woods‘, by John Luna, June 6, 2018
Galleries West, ‘Supernatural: Art, Technology and the Forest‘, by Portia Priegert, June 3, 2018
Painters on Painting
, ‘Claire Scherzinger on Kelly Richardson‘, May 21, 2018
Galleries West, ‘New UVic professor creates Avatar Grove film project‘, by John Threlfall, Jan 16, 2018
Times Colonist, ‘Capturing the art of nature and change‘, by Jeff Bell, Jan 14, 2018
National Gallery of Canada Magazine, ‘Voyage and Violence: The 2017 Canadian Biennial at AGA‘, by Shannon Moore, Dec 13, 2017
Studio International, ‘Kelly Richardson: The Weather Makers‘, review by Christiana Spens, Nov 5, 2017
Vue Weekly, ‘Movement and Migration’, review of National Gallery of Canada at the AGA by Sierra Bilton, Sept 28, 2017
Artlink, ‘Inanition and Passing Parades‘, Gemma Weston, Sept-Oct, 2016
Real Time Arts, ‘Slow traumas or apocalypses of choice?‘, Francis Russell, Issue: August-September, 2016
Arts Beacon, ‘Kelly Richardson’s Tales on the Horizon at SMoCA‘, Grant Vetter, Nov 4, 2015
The Creators Project, ‘Kelly Richardson’s Deserted Landscapes of the Future‘, Interview, Sept 22, 2015
Georgia Straight, ‘Sci-Fi effects meets landscapes in Kelly Richardson’s Legion‘, Robin Laurence, Aug 13, 2014
Studio International, ‘Kelly Richardson – Haunted‘, Darran Anderson, July 8, 2014
Journal for Wild Culture, ‘Art and nature: opportunities and new directions‘, Tom Jeffreys, June 26, 2014
io9, ‘Kelly Richardson’s Beautiful Futuristic Landscapes Hide a Dark Secret‘, Online feature, Charlie Jane Anders, May 9, 2014
The Journal, “Review: Mariner 9 by Kelly Richardson at Laing Art Gallery“, review by David Whetstone, May 9, 2014
The Creators Project, “These Beautiful Sci-Fi Landscapes Are Actually Unsettling Predictions About Our Future“, Online feature, Johnny Magdaleno, May 8, 2014
CBC George Stroumboulopoulos Tonight, “Look at This: The Otherworldly Landscapes of Kelly Richardson“, Online feature, March 29, 2014
Culture24, “Life on Mars: Kelly Richardson on NASA, the apocalypse and the north-east“, Interview with Ben Miller, March 25, 2014
BFI Sight and Sound Magazine, “Berwick 2013: border tensions“, Michael Pattison, February 18, 2014
The Record, “Kelly Richardson“, [review of This Island Earth], Robert Reid, November 16, 2013
The Film Lounge, “Berwick Ranger: Michael Pattison Reports from the 9th Film & Media Festival“, Michael Pattison, October 2, 2013
Border Crossings, “Kelly Richardson“, [review of Legion], William Ganis, Summer issue, 2013
Toronto Star, “Kelly Richardson’s Orion Tide“, [review of Orion Tide], Murray White, May 10, 2013
Afterimage, “My Name is Legion, for We Are Many“, [review of Legion], Kathryn Shriver, May, 2013
ARTINFO Canada, “Kelly Richardson’s Portent is Having an Effect“, Interview with Sky Goodden, May 1, 2013
ARTFORUM, “Critics’ Picks: Kelly Richardson at the Albright-Knox“, William Ganis, April 23, 2013
Modern Art Notes, “5 things I think I think: Albright-Knox edition“, Tyler Green, April 23, 2013
Modern Art Notes Podcast, “Shirin Neshat and Kelly Richardson“, Interview with Tyler Green, April 4, 2013
Photomonitor, “Kelly Richardson: Legion and The Erudition“, [review of 2 exhibitions], Paul Carey-Kent, March 2013
British Journal of Photography, “Tomorrow’s World“, [6 page feature article on Kelly Richardson’s practice], Gemma Padley, March 2013
Photomonitor, “Kelly Richardson: Legion“, Interview with Christiane Monarchi, March 2013
a-n Magazine, “Bon hiver: A Journey through a Winter Landscape“, [review of ‘Bon hiver’ and ‘Kelly Richardson: Legion’], Martin Lang, January, 2013
Artes Magazine, “New York’s White Box Gallery Held Ground Breaking Contemporary Art Exhibition“, [review of ‘The Waste Land’ including Exiles of the Shattered Star], Edward Rubin, January 15, 2013
ARTFORUM, “Kelly Richardson“, [review of ‘Legion’ and ‘Mariner 9’], Lauren Dyer Amazeen, December issue, 2012
Wild Culture, “Legion, Mariner 9, Orion Tide“, [review of three exhibitions], Tom Jeffreys, Nov 28, 2012
Canadian Art, “Kelly Richardson talks Sci-Fi Futures, Life on Mars and Mariner 9“, Interview with Rosemary Heather, Oct 4, 2012
New Scientist Magazine, “Life and death on Mars“, Catherine de Lange, Aug 22, 2012
This Is Tomorrow, “Kelly Richardson: Mariner 9 and Legion“, James Smith, Aug 20, 2012
NARC Magazine, “Review: Mariner 9 @ The Spanish City Dome“, Adam Clery, Aug 9, 2012
The Guardian, “Curiosity rover: why does sci-fi always look more marvellous than reality?“, Jonathan Jones, Aug 8, 2012
The Journal, “Crowds flock to Mariner 9 exhibition at Spanish City in Whitley Bay“, David Whetstone, Aug 8, 2012
The Guardian, “Artist Kelly Richardson brings a taste of Mars to Whitley Bay“, Mark Brown, Aug 7, 2012
Huffington Post, “Artist Kelly Richardson’s ‘Mariner 9’ Depicts Futuristic Mars Landscape On Day NASA’s Curiosity Lands“, Aug 6, 2012
The Guardian, “NASA technology helps get video art off the ground“, Alan Sykes, Aug 3, 2012
a-n, “Kelly watch the stars“, [review of Kelly Richardson’s practice], Matthew Hearn, Jul 31, 2012
Corridor8, “Kelly Richardson: LEGION at the Northern Gallery for Contemporary Art, Sunderland“, Rebecca Travis, July 8, 2012
Culture24, “Kelly Richardson dazzles at the Northern Gallery for Contemporary Art and Whitley Bay“, Ben Miller, July 6, 2012
NARC Magazine, “Interview: Kelly Richardson“, [interview about ‘Mariner 9’ and survey show ‘Legion’], Adam Clery, July 2012
Culture Magazine, “An Epic Imagination“, [interview / article about Kelly Richardson’s practice], David Whetstone, July 2012
HART International, “Three exhibitions about the future in London“, [review featuring Immortal Nature at Edel Assanti], Tom Jeffreys, Feb, 2012
Artlyst London, “Latest London Art Twelve Choices“, [review featuring Leviathan at Edel Assanti], Paul Carey-Kent, Feb 20, 2012
It’s Nice That, “Immortal Nature“, [review featuring Leviathan at Edel Assanti], Charlotte Simmonds, February 3, 2012
The Telegram, “Reflecting on ‘The New Romantics“, [review featuring The Erudition at The Rooms], Joan Sullivan, Jan 24, 2012
zingmagazine, “INTERVIEW: Kelly Richardson“, interview with Devon Dikeou for zingchats, September, 2011
Canadian Art Magazine, “The Erudition (I)”, Shannon Anderson, Summer issue, 2011
…might be good, “International Artist-in-Residence” [review featuring Leviathan], Lana Shafer, April 15, 2011
Glasstire, “Artpace 11.1: It’s in the water” [review featuring Leviathan], Dan R. Goddard, April 12, 2011
Plaza de Armas, “Landscape, catfight, and another musical” [review featuring Leviathan], Sarah Fisch, March 25, 2011
Canadian Art Magazine, “The Last Frontier: Natural Histories” [review featuring The Erudition], Adam O’Reilly, January 13, 2011
Akimblog, “The Last Frontier” [review featuring The Erudition], Sue Carter Flinn, January 11, 2011
Toronto Star, “Whyte: The world rendered as an alien landscape”, Murray White, December 22, 2010
Canadian Art Magazine, “Kelly Richardson: The Radiant Real”, feature article, David Jager, Fall issue, 2009
Now Magazine, “Year in Review: Top 10 Art Shows“, David Jager, December 22-29, 2008
Vie Des Arts, “Busan Biennale 2008”, [review of Busan Biennale featuring the work of Kelly Richardson], Melissa Lam, Winter issue, 2008
ARTFORUM, “Kelly Richardson: Birch Libralato“, [review of Twlight Avenger at Birch Libralato], Dan Adler, November issue, 2008
Akimblog, “Kelly Richardson at Birch Libralato” [review of Twilight Avenger at Birch Libralato], Terence Dick, August 13, 2008
Now Magazine, “Nature’s calling: Kelly Richardson questions what’s real” [review of Twilight Avenger at Birch Libralato], David Jager, August 7, 2008
The Globe and Mail, “The Twilight Avenger is not what he seems” [review of Twilight Avenger at Birch Libralato], Gary Michael Dault, August 9, 2008
Border Crossings, “Landscape x 4: Geoffrey James, Alex Cameron, Jennifer Stead, Kelly Richardson”, Petra Halkes, Issue No. 106, Summer, 2008
The Washington Diplomat, “Demented but Rewarding” [review of The Cinema Effect at the Hirshhorn Museum], Michael Coleman, April 20, 2008
The Washington Times, “Cinematic Visions” [review of The Cinema Effect at the Hirshhorn Museum], February 23, 2008
Afterimage, “Tell me a story” [review of 10th Mois de la Photo a Montreal], Lisa Hunter, vol 35, no. 4, January/February Issue, 2008
The Buffalo News, “An Air of mystery at Hallwalls” [review of The Edge of Everything at Hallwalls], Cynnie Gaasch, January 25, 2008
Artvoice, “Kelly Richardson: The Edge of Everything” [review of The Edge of Everything at Hallwalls], Lucy Yau, January 24, 2008
ICI Montréal, “Vitesse réduite” [review of 10th Mois de la Photo a Montreal], Lyne Crevier, September 20, 2007
The Globe and Mail, “A peaceful apocalypse” [review of Exiles of the Shattered Star at Birch Libralato], Gary Michael Dault, August 12, 2006
Toronto Star, “Fiery missiles on a restful day” [review of Exiles of the Shattered Star at Birch Libralato], Peter Goddard, August 17, 2006
samplesize,”Provisional Worlds”, Charlene K. Lau, 2003Toronto Star, “An art world made up of stuff”, Peter Goddard, November 23, 2002
View, “Intersections”, John Deal, vol.8 no.2, p 16. January, 2002
Taipei Times, “Artists lose their marbles” [interview with Manray Hsu about Orange Marble at Taipei Art District], Susan Kendzulak, March 11, 2001
Lola 6, “Birdhouse”, Sally McKay, Summer, 2000Lola 5, “In Studio-Kelly Richardson” Jenifer Papararo, 2000
The Globe and Mail, “here”, Gillian MacKay, Feb.27, 1999

SELECTED EXHIBITION TEXTS
Prince, Nigel, “Kelly Richardson: Legion“, exhibition text for Contemporary Art Gallery Vancouver, 2014
Jurakic, Ivan, “This Island Earth“, essay for solo exhibition featuring Mariner 9, Orion Tide and The Last Frontier at UWAG, 2013
Hughes, Holly, brochure for “Videosphere: A New Generation” at the Albright-Knox Art Gallery, July 1-October , 2011
Pesanti, Heather, essay for “Leviathan” at Artpace San Antonio, March 2011
St-Laurent, Stefan, catalogue essay for “Art Star 4 Video Art Biennial“, Ottawa, Canada, October 29-November 6, 2010
Corsano, Otino, catalogue interview for “Free Sample” at the MSVU Art Gallery, Halifax, Canada, March – April, 2005
Bradley, Jessica, “Provisional Worlds”, exhibition catalogue for the Art Gallery of Ontario. November, 2002 – March, 2003
Shaw, Karen, “Accumulations”, exhibition catalogue for Islip Art Museum. September – November, 2002
Hsu, Manray, “Orange Marble”. exhibition brochure for Orange Marble. February, 2001
Jacques, Michelle. “Video Primer”, exhibition brochure for the Art Gallery of Ontario. April 7, 2001 – March 24, 2001
Massier, John. “Kelly Richardson”, Mercer Union exhibition brochure. May 25 – June 28, 2000