October 21 – January 24, 2021
‘Embers and the Giants’ will see its first gallery installation and UK premiere during the York Mediale 2020!
Oct 31, 2020 – Feb 28, 2021
Dirk Braeckman, Tacita Dean, Vittoria Gerardi, Anthony McCall, Radenko Milak, Kelly Richardson, James White
Kelly Richardson: Mariner 9
Reopening Sept 28 – Dec 18, 2020
‘Mariner 9’ returns to the UK this spring in a solo exhibition at the Attenborough Arts Centre.
Most Admirably Improved by Art
Reopening Sept 4 – 27, 2020
Bringing together artists who began their careers in drawing and painting, and now through a range of media respond to the landscapes of today.
Meta.Morf X – Digital Wild
March 5 – May 3, 2020
The sixth Trondheim international biennale for art and technology.
Oct 31, 2019 – Feb 23, 2020
An essential exhibition for today, exploring the non-stop nature of modern life.
Published: Dec 17, 2020
In celebration of its 25th anniversary, Artpace San Antonio has published a 272pg book of never-before-published curatorial essays and color images of every exhibition created through its International Artist-in-Residence program from 2008-2019.
Published: Dec 16, 2020
Richardson re-makes the sublime for the 21st century, presenting us with landscapes that merge the spectral and the spectacular. In doing so, she creates a kind of third space where technology and nature meet; where memory and visions of the future collide.
Published: Dec 11, 2020
Art is a powerful way to start conversations about the climate. A new show at York Art Gallery, part of York Mediale 2020, uses new technologies to show how the human body is inextricably linked to nature.
Release date: August 2020
‘For The Benefit Of All’ is a limited edition double LP by British musicians Tom Morris & Jo Quail which was inspired by Kelly Richardson’s video installation ‘Mariner 9’.
Published: March, 2020
The sixth Trondheim international biennale for art and technology – ventures into the digital wilderness where the foreseeable has escaped, where control is absent, and agendas, purposes, and occupations are progressively evasive.
Published: January, 2020
Explores the non-stop nature of our lives – a world in which we are sleeping less; where complex systems exert control over us and the pull of the screen disrupts our instincts to daydream and pay attention to the world around us, and each other.
In her significant new body of video installations and prints entitled Pillars of Dawn, Richardson imagines a desert landscape in which environmental conditions have crystallized the terrain. Sculpting every branch of each tree and populating the entire landscape with millions of individualised crystals has been a painstaking labour of love. Roughly speaking, there is one crystal in each of the landscapes for every species still alive today. We live in a time when many scientists believe humans are causing the mass extinction of thousands upon thousands of other species; Richardson’s work asks us what it is in the world that has value for humans. In each of the scenarios we encounter, we see a beautiful, empty, crystallised world. It is almost as though all life-forms had been transformed into pure carbon – that is, into the most concentrated forms of pure carbon in the natural world – diamonds. The majesty and infinite wealth of the Earth is revealed, although no humans appear present to appreciate it.